watercolor on paper
15”x20”
watercolor on paper
13”x20”
watercolor on paper
13”x9”
“Hybrid Realities” is a series of watercolors, which at first glance appear to be botanical illustrations. On closer inspection an unfolding flower is made of curling toes, and the petals of a rose reveal an eye lurking in the center. I view these images as a celebration of the interconnection between all living things, which science continues to reveal to us. With these paintings I place myself at the intersection between art and science, becoming a contemporary naturalist who has discovered hybrid organisms yet to be created.
Watercolor on Paper
22”x30”
“Hybrid Realities” is a series of watercolors, which at first glance appear to be botanical illustrations. On closer inspection an unfolding flower is made of curling toes, and the petals of a rose reveal an eye lurking in the center. I view these images as a celebration of the interconnection between all living things, which science continues to reveal to us. With these paintings I place myself at the intersection between art and science, becoming a contemporary naturalist who has discovered hybrid organisms yet to be created.
watercolor on paper
22”x30”
“Hybrid Realities” is a series of watercolors, which at first glance appear to be botanical illustrations. On closer inspection an unfolding flower is made of curling toes, and the petals of a rose reveal an eye lurking in the center. I view these images as a celebration of the interconnection between all living things, which science continues to reveal to us. With these paintings I place myself at the intersection between art and science, becoming a contemporary naturalist who has discovered hybrid organisms yet to be created.
watercolor on paper
22”x30”
“Hybrid Realities” is a series of watercolors, which at first glance appear to be botanical illustrations. On closer inspection an unfolding flower is made of curling toes, and the petals of a rose reveal an eye lurking in the center. I view these images as a celebration of the interconnection between all living things, which science continues to reveal to us. With these paintings I place myself at the intersection between art and science, becoming a contemporary naturalist who has discovered hybrid organisms yet to be created.
watercolor on paper
22”x30”
“Hybrid Realities” is a series of watercolors, which at first glance appear to be botanical illustrations. On closer inspection an unfolding flower is made of curling toes, and the petals of a rose reveal an eye lurking in the center. I view these images as a celebration of the interconnection between all living things, which science continues to reveal to us. With these paintings I place myself at the intersection between art and science, becoming a contemporary naturalist who has discovered hybrid organisms yet to be created.
watercolor on paper
22”x30”
These watercolors document an area of Donegal, Ireland that was devastated by fires. An unusually cold winter attributed by many to climate change left many trees and shrubs dead. This left the forests vulnerable to fires, which swept across the countryside leaving large areas charred and black. Living in New Orleans after Katrina, I experienced a feeling that I recognized, the strangeness of a landscape uprooted and turned on its head.
watercolor on paper
22”x30”
These watercolors document an area of Donegal, Ireland that was devastated by fires. An unusually cold winter attributed by many to climate change left many trees and shrubs dead. This left the forests vulnerable to fires, which swept across the countryside leaving large areas charred and black. Living in New Orleans after Katrina, I experienced a feeling that I recognized, the strangeness of a landscape uprooted and turned on its head.
watercolor on paper
22”x30”
These watercolors document an area of Donegal, Ireland that was devastated by fires. An unusually cold winter attributed by many to climate change left many trees and shrubs dead. This left the forests vulnerable to fires, which swept across the countryside leaving large areas charred and black. Living in New Orleans after Katrina, I experienced a feeling that I recognized, the strangeness of a landscape uprooted and turned on its head.
watercolor on paper
22”x30”
Portraits of a Burnt Wood Series
These watercolors document an area of Donegal, Ireland that was devastated by fires. An unusually cold winter attributed by many to climate change left many trees and shrubs dead. This left the forests vulnerable to fires, which swept across the countryside leaving large areas charred and black. Living in New Orleans after Katrina, I experienced a feeling that I recognized, the strangeness of a landscape uprooted and turned on its head.
pencil on paper
25”x17”
These watercolors document an area of Donegal, Ireland that was devastated by fires. An unusually cold winter attributed by many to climate change left many trees and shrubs dead. This left the forests vulnerable to fires, which swept across the countryside leaving large areas charred and black. Living in New Orleans after Katrina, I experienced a feeling that I recognized, the strangeness of a landscape uprooted and turned on its head.
watercolor on paper
22”x30”